Today, we continue Shawn Gaston’s process of illustrating the cover.

From Shawn Gaston:

Step 4: Shading! To get that really angular look, I set up another layer beneath the line art in Photoshop, and used the polygon lasso tool to block out areas that I then filled in with a very large brush.

Step 5: I finished shading in the smoke, as well as added our two textures. The rough scratchy layer covers many of the Streets of Bedlam illustrations, and I knew I wanted that same look for the cover. The blood splatter is the cover’s one dash of color, along with Fallon’s lit cigarette. I also tweaked the shading a bit, lightened his face somewhat, and darkened the coat.

Step 6: At this point he’s mostly finished, so I brought back the mock up of the cover’s trade dress to get an idea of how our hero will look on the book itself.

Step 7: I decided he was too low, and not angled enough. Comparing the current version to the original pencil sketch mock up, I shrink him down a bit, move him up, and then angle him to the right a bit This is an advantage of making the cover in Photoshop as opposed to creating an entire painting that is then scanned in or something.

So there you have it. My next steps are to draw the background buildings, scan them in to the computer and then tie the whole thing together. Being as the titular Streets of Bedlam are in many ways the real star of this picture, I expect to put in a lot of work and detail on the buildings. I want them to ooze menace and character.

Come back tomorrow to see this whole thing come together.